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    • US Justice Department and Federal Trade Commission launch public inquiry into live music business
      Source: Music Business Worldwide Published on 2025-05-07
    • Google has launched a film and TV production house with Range Media Partners. What does that mean for the future of music rightsholders?
      Source: Music Business Worldwide Published on 2025-05-07
    • AEG Presents and Andrea Bocelli team up for ‘most important live performance contract in the history of Italian music’
      Source: Music Business Worldwide Published on 2025-05-07
    • Bakar hit ‘Hell N Back’ subject of lawsuit alleging it infringed a sample – and that a company is claiming ‘false’ ownership of the original work
      Source: Music Business Worldwide Published on 2025-05-07
    • Indie music platform Intercept secures $50m in financing for catalog acquisitions
      Source: Music Business Worldwide Published on 2025-05-07
    • Andrew Spencer named Chief Operating Officer of AEG Presents Europe
      Source: Music Business Worldwide Published on 2025-05-07
    • ‘We need a change in approach to ensure songwriters are fairly remunerated for music that hugely enhances the gaming experience.’
      Source: Music Business Worldwide Published on 2025-05-07
    • Warner Music Group launches WMG Pulse app for artists and songwriters to track streams, earnings, and fan engagement
      Source: Music Business Worldwide Published on 2025-05-07
    • Early Spotify investor TCV offloads nearly $190m worth of shares
      Source: Music Business Worldwide Published on 2025-05-07
    • Samsung’s Harman expands audio empire with $350M Masimo deal
      Source: Music Business Worldwide Published on 2025-05-07
    • Daniel Ek has now cashed out $800m+ in Spotify stock, with his latest transaction banking $28.8m
      Source: Music Business Worldwide Published on 2025-05-06
    • ‘If we don’t step up now, the platforms we depend on will become even more toxic.’
      Source: Music Business Worldwide Published on 2025-05-06
    • Jimmy Page sued for alleged copyright infringement over ‘Dazed and Confused’
      Source: Music Business Worldwide Published on 2025-05-06
    • Create Music Group acquires again, swooping for indie electronic label Monstercat
      Source: Music Business Worldwide Published on 2025-05-06
    • Sara Nix and Joe Mortimer named Co-Heads of Creative at Capitol Music Group
      Source: Music Business Worldwide Published on 2025-05-06
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    Home » Rocking The Daisies Unveils The Heineken House Line-Up For 2023
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    Rocking The Daisies Unveils The Heineken House Line-Up For 2023

    Ofentse PhukubyeBy Ofentse PhukubyeJuly 31, 2023No Comments1 Min Read
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    Hip-Hop lovers across South Africa are ge=ng ready for the ultimate hip-hop experience courtesy of Rocking The Daisies and Heineken Silver, which promises to deliver refreshing beers, unforgetable moments, mind-blowing live performances, surprise acts and more. Last week, Rocking The Daisies unveiled their first phase of local and international artist announcements that will be performing on the Heineken House stage curated by Rocking The Daisies alongside music industry powerhouses: STAY LOW, the Johannesburg-based record label and management company owned by Steyn Entertainment, and The Fiends, an unstoppable collective led by Dreamville artist, Bas.

    American rappers, Bas and Westside Boogie as well as 4x time Grammy award-winning producer and sound engineer Derek Ali, popular known Mixed by Ali, were announced on social media alongside Dee Koala, K.Keed, Yolophonik, Thato Saul and a number of South Africa’s most exciting local talent. A Fendees of #JWxRTD 2023 should not only look forward to the atmosphere of the Heineken House stage because they’ll also be treated to an exclusive pop-up lifestyle experience by Heineken Silver and Rocking The Daisies.

    Check out the full roster below:

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    Ofentse Phukubye
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    I love what I do on a daily basis as I get to help out fellow African creatives spread out their work to the world. I am a diverse individual as I do not limit myself to one group or type of content. I am always open to receiving new work from other individuals as that is my way of maintaining the culture in quality form.

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